The invisible work that holds everything together.
Color correction is the technical foundation of every professional post-production pipeline. It is not the same as color grading. Where grading is creative and builds a visual mood, color correction is the disciplined process of fixing what went wrong on set and normalizing footage so every shot sits on the same baseline. Our video color correction services address exposure imbalances, white balance shifts, color casts, and contrast inconsistencies across your entire timeline. We work clip by clip in DaVinci Resolve Studio, ensuring skin tones read accurately, highlights and shadows hold detail, and cuts between setups are invisible. Whether you need standalone correction or a clean pass before a creative grade, this is where every project begins. Our shot matching services ensure multi-camera projects feel unified from the first frame to the last.
Color correction is the process of bringing raw or LOG footage to a technically accurate, visually neutral state. It starts with exposure balancing, lifting underexposed clips and pulling back blown highlights so detail is preserved across the full tonal range. White balance is corrected next, removing unwanted color casts introduced by mixed lighting or incorrect camera settings. From there, we address overall color balance and contrast, ensuring that blacks are true, midtones sit naturally, and the image has proper separation between tonal zones. Every adjustment is made in DaVinci Resolve Studio using scopes, waveforms, and vectorscopes to guarantee precision. The goal is not to impose a look. It is to deliver a clean, accurate image that any colorist or editor can build on with confidence.
Multi-camera productions introduce variables that are impossible to control perfectly on set. Different camera bodies, lenses, sensor profiles, and lighting conditions all produce footage with distinct color signatures. A cut from an ARRI ALEXA to a RED Komodo to a Sony FX6 will look like three different shoots without proper shot matching. We normalize the color response across every camera system, aligning skin tones, highlight roll-off, and shadow behavior so the timeline reads as one cohesive piece. This applies equally to Blackmagic URSA footage intercut with cinema camera material. Whether you are cutting a documentary with interview and B-roll from separate units or a commercial with multiple camera setups, our shot matching services ensure every angle feels like it belongs in the same world.
We provide color correction services for narrative films, commercials, branded content, interviews, documentaries, and corporate video. From a single-camera interview that needs clean white balance to a multi-unit feature requiring full shot matching across hundreds of clips, the process scales to fit. Every project receives the same technical precision regardless of format or budget.
All color correction is performed in DaVinci Resolve Studio. We work natively with RAW and LOG formats, applying the correct input transforms before any manual adjustments. Final output conforms to Rec.709 for standard delivery or to broadcast specifications when required. We deliver in ProRes 422 HQ, H.264, or H.265, matched to your distribution and delivery specs.
Color correction is the technical process of adjusting exposure, white balance, contrast, and color balance to bring footage to a neutral, accurate baseline. It fixes problems introduced during production so every shot looks clean, consistent, and true to life before any creative grading begins.
Yes. Color correction is the foundation of every professional grade. Without it, creative looks are built on an uneven baseline. Correcting exposure, white balance, and contrast first ensures the grade sits evenly across every shot and the final result holds up on any screen.
In most cases, yes. If your footage was shot in RAW or LOG, there is significant latitude to recover highlights and lift shadows. Even with compressed formats, we can improve exposure and balance considerably. We will assess your footage and let you know what is recoverable.
We accept all professional camera formats including ARRIRAW, R3D, BRAW, ProRes, DNx, CinemaDNG, and H.264/H.265. Whether your footage comes from an ARRI ALEXA, RED, Sony Venice, or Blackmagic URSA, we will integrate it into a clean DaVinci Resolve timeline.
Shot matching is the process of making footage from different cameras, lenses, and lighting setups look like it was all captured under the same conditions. We align color response, exposure, and contrast across every clip so cuts between angles feel seamless to the viewer.